Product Description Like no one else, Brazilian born Cibelle makes use of a variety of elements to create unique, imaginative and enchanting peices of music. Her second album (the follow-up to 2003's inspired eponymous debut) is a genuine masterpiece. Moving into even more adventurous sonic terrain than its predecesor, the "Shine Of Dried Electric Leaves" combines rootsy acoustic instrumentation, electronic processing, noise guitars & children's toys, captivating textural soundscapes & pure melodies all anchored by Cibelle's unmistakable, moving voice. Cibelle produced this album over a period of 18 months, taking some of the tracks with her from London (where she now resides) to Sao Paulo (her home town) and back, gathering along the way contributions from various co-producers and performers, including Mike Lindsay (from UK Folktronica act Tunng);Apollo Nove (the innovative producer/artist from Sao Paulo, who produced most of her debut album); Parisian mixer, Yann Arnaud (Air, ! Sebastien Schuller), and guests such as Seu Jorge (of "City of God" and "The Life Aquatic' fame), freak folk pioneer, Devendra Banhart, and CocoRosie collaborator Spleen. While some of the album's ten original compositions and three covers are simple, limpid crytalline gems (her renditions of Tom Waits' "Green Grass" and of Jobim's "Por Toda Minha Vida" to name but a few). Amazon.com Since her breakout performance on Suba's landmark Sao Paolo Confessions, singer Cibelle (pronounced see-Bell-ee) has enchanted Brazilian pop aficionados with her lovely musical purr. Here on her second album, the cool lounge production of her debut is pushed into a darker, more experimental realm without losing her music's sensual beauty. As ambitious as the production, the songwriting is challenging too with highlights like "Phoenix" and "Flying High" using a linear style rather than the back and forth of a verse, bridge and chorus arrangement. There's a couple of interesting covers as well--while her spare version of Tom Waits's "Green Grass" is a seemingly offbeat choice, her haunting, glitchy and near-unrecognizable cover of Jobim's "Por Toda A Minha Vida" is a different kind of surprise. With ultra-cool Apollo Nove and Tunng in the producers' chair, this subtle kind of sonic and music revision is to be expected, but it's a tribute to the singer that she keeps the challenging sound under the sway of her lovely voice. --Tad Hendrickson Review "...... her music has more in common with Faithless than Joao Gilberto -- CMJ"Imagine the Girl From Ipanema in Terry Gilliam's futuristic Brazil" -- Rolling Stone"Summer albums don't come any better than this" -- Time Out New York See more
